DI STEFANO, NICOLA

DI STEFANO, NICOLA  

Istituto di Scienze e Tecnologie della Cognizione - ISTC  

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Titolo Data di pubblicazione Autore(i) File
Cultural accounts of consonance perception. A Lakatosian approach to save Pythagoras 1-gen-2024 Di Stefano, Nicola
Enhancing human-human musical interaction through kinesthetic haptic feedback using wearable exoskeletons: theoretical foundations, validation scenarios, and limitations 1-gen-2024 Michałko, Aleksandra; Di Stefano, Nicola; Campo, Adriaan; Leman, Marc
Expressivity attributed to music affects the smoothness of bowing movements in violinists 1-gen-2024 Di Stefano, Nicola; Lo Presti, Daniela; Raiano, Luigi; Massaroni, Carlo; Romano, Chiara; Schena, Emiliano; Leman, Marc; Formica, Domenico
Marketing sonified fragrance: designing soundscapes for scent 1-gen-2024 Spence, Charles; Di Stefano, Nicola; Reinoso-Carvalho, Felipe; Velasco, Carlos
Old and new versions of the Molyneux question: A review of experimental answers 1-gen-2024 Spence, Charles; DI STEFANO, Nicola
Perceptual similarity: insights from crossmodal correspondences 1-gen-2024 Di Stefano, Nicola; Spence, Charles
Prokofiev was (almost) right: A cross-cultural investigation of auditory-conceptual associations in Peter and the Wolf 1-gen-2024 Di Stefano, Nicola; Ansani, Alessandro; Schiavio, Andrea; Spence, Charles
Real-time visual feedback based on MIMUs technology reduces bowing errors in beginner violin students 1-gen-2024 Provenzale, Cecilia; Di Tommaso, Francesco; Di Stefano, Nicola; Formica, Domenico; Taffoni, Fabrizio
Sensory translation between audition and vision 1-gen-2024 Spence, Charles; Di Stefano, Nicola
Should absolute pitch be considered as a unique kind of absolute sensory judgment in humans? A systematic and theoretical review of the literature 1-gen-2024 Di Stefano, Nicola; Spence, Charles
Using wearable sensors to study musical experience: a systematic review 1-gen-2024 Volta, Erica; Di Stefano, Nicola
What, if anything, can be considered an amodal sensory dimension? 1-gen-2024 Spence, Charles; Di Stefano, Nicola
Artificial emotions: toward a human-centric ethics 1-gen-2023 Corti, Laura; Di Stefano, Nicola; Bertolaso, Marta
Exploring crossmodal correspondences for future research in human movement augmentation 1-gen-2023 Pinardi, Mattia; Di Stefano, Nicola; Di Pino, Giovanni; Spence, Charles
Musical emotions and timbre: from expressiveness to atmospheres 1-gen-2023 Di Stefano, Nicola
Temporal and spatial accounts of sound perception. An overview of the main historical sources and theoretical problems 1-gen-2023 Di Stefano, Nicola
Coloured hearing, colour music, colour organs, and the search for perceptually meaningful correspondences between colour and sound 1-gen-2022 Spence, Charles; Di Stefano, Nicola
Consonance and dissonance perception. A critical review of the historical sources, multidisciplinary findings, and main hypotheses 1-gen-2022 Di Stefano, Nicola; Vuust, Peter; Brattico, Elvira
Crossmodal Correspondences in Art and Science: Odours, Poetry, and Music 1-gen-2022 Di Stefano, Nicola; Murari, Maddalena; Spence, Charles
Crossmodal harmony: Looking for the meaning of harmony beyond hearing 1-gen-2022 Spence, Charles; Di Stefano, Nicola