The singer and songwriter Gianmaria Testa tells his career, his life, his music and words to Isabella Maria Zoppi, who happens to be his witness and interpreter within a book which therefore becomes his first authorised biography and at the same time a deep critical and analytical path through the Piedmontese artist's work and activities. The essay is enriched by interviews to partners, musicians ands travel companions - among them, the writer Errri De Luca - and a rich photographic book edited by Lucia Carenini, which provides the atmosphere of the talks with Zoppi and the intensity of Testa's exhibitions, meeting with his audience, live shows.
Il cantautore Gianmaria Testa racconta la sua carriera, la vita, la musica e le parole a Isabella Maria Zoppi che se ne fa testimone e interprete in un volume che risulta così essere la prima biografia autorizzata e allo stesso tempo un profondo percorso critico e analitico dell'opera e dell'attività dell'artista piemontese. Arricchiscono il saggio le interviste a collaboratori, musicisti e compagni di viaggio, tra cui lo scrittore Erri De Luca, e un ricco book fotografico, curato da Lucia Carenini, che restituisce l'atmosfera delle conversazioni raccolte dall'autrice e l'intensità delle esibizioni, degli incontri col pubblico, dei concerti di Testa.
Il giorno che passa e consuma. Storia, musica e parole di Gianmaria Testa
Isabella Maria Zoppi
2007
Abstract
The singer and songwriter Gianmaria Testa tells his career, his life, his music and words to Isabella Maria Zoppi, who happens to be his witness and interpreter within a book which therefore becomes his first authorised biography and at the same time a deep critical and analytical path through the Piedmontese artist's work and activities. The essay is enriched by interviews to partners, musicians ands travel companions - among them, the writer Errri De Luca - and a rich photographic book edited by Lucia Carenini, which provides the atmosphere of the talks with Zoppi and the intensity of Testa's exhibitions, meeting with his audience, live shows.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.