The aim of this project is to perform a comparative study of three artworks (bronze casts of Islamic provenance), to discover evidence of similarities and to get new insight on their origin. Probably produced within the Islamic Mediterranean in the eleventh century, the Griffin has incised on its body a long inscription in Arabic expressing good wishes. Captured by the Pisans, it underwent an extraordinary transformation: for centuries it was a terrifying, sound-producing guardian figure on top of the roof of Pisa Cathedral. The present project is focused on the Griffin but also includes alongside it other bronze animal sculptures such as a Lion and a Falcon. It is hoped that the interdisciplinary study of the Griffin will shed light on the significance of such objects in a global Mediterranean culture.
The Pisa Griffin
Francesco Gabellone
2012
Abstract
The aim of this project is to perform a comparative study of three artworks (bronze casts of Islamic provenance), to discover evidence of similarities and to get new insight on their origin. Probably produced within the Islamic Mediterranean in the eleventh century, the Griffin has incised on its body a long inscription in Arabic expressing good wishes. Captured by the Pisans, it underwent an extraordinary transformation: for centuries it was a terrifying, sound-producing guardian figure on top of the roof of Pisa Cathedral. The present project is focused on the Griffin but also includes alongside it other bronze animal sculptures such as a Lion and a Falcon. It is hoped that the interdisciplinary study of the Griffin will shed light on the significance of such objects in a global Mediterranean culture.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


