The shape of the ring askos has a long tradition: it had already appeared in the Bronze Age in Cyprus and Greece in the Late Mycenaean Age. In Medium-Tyrrhenian Italy the ring askoi, placed horizontally, were common during the Orientalizing period, with some specific exceptions relating to the Villanovan period. Examples in the Villanovan impasto pottery from Tarquinia, Veji, Bisenzio and Vetulonia with a bull, ram or horse protomes were also well known (IX-VIII century B.C.). As in Greece, also in Italy, animal heads are present on ring askoi of ancient production, but of a later date. However, after the Archaic period they disappeared. U.H. Rüdiger, who studied the askos, does not mention any ring askos with an animal head after the Archaic period. This study intends to highlight the traditional and innovative characteristics of the Faliscan Pottery workshop that produced the ring askos with an animal protome. Etruscan pottery of the Hellenistic age shows a preference for zoomorphic askoi commonly duck, deer and lion shaped. Extraordinary are, for this reason, five ring askoi with a griffin, or fawn or bird (?) protome respectively, produced at the same Faliscan Red-Figured Pottery workshop during the last three decades of the fourth century BC.

Tradition and Innovation: the Ring-Askos in the Late Red-figured Faliscan Pottery

AMBROSINI L
2016

Abstract

The shape of the ring askos has a long tradition: it had already appeared in the Bronze Age in Cyprus and Greece in the Late Mycenaean Age. In Medium-Tyrrhenian Italy the ring askoi, placed horizontally, were common during the Orientalizing period, with some specific exceptions relating to the Villanovan period. Examples in the Villanovan impasto pottery from Tarquinia, Veji, Bisenzio and Vetulonia with a bull, ram or horse protomes were also well known (IX-VIII century B.C.). As in Greece, also in Italy, animal heads are present on ring askoi of ancient production, but of a later date. However, after the Archaic period they disappeared. U.H. Rüdiger, who studied the askos, does not mention any ring askos with an animal head after the Archaic period. This study intends to highlight the traditional and innovative characteristics of the Faliscan Pottery workshop that produced the ring askos with an animal protome. Etruscan pottery of the Hellenistic age shows a preference for zoomorphic askoi commonly duck, deer and lion shaped. Extraordinary are, for this reason, five ring askoi with a griffin, or fawn or bird (?) protome respectively, produced at the same Faliscan Red-Figured Pottery workshop during the last three decades of the fourth century BC.
2016
Istituto di Studi sul Mediterraneo Antico - ISMA - Sede Montelibretti
Istituto di Scienze del Patrimonio Culturale - ISPC
Inglese
S. Japp, P. Kögler
IARPotHP - International Association for Research on Pottery of the Hellenistic Period e.V.
Traditions and Innovations. Tracking the Development of Pottery from the Late Classical to the Early Imperial Periods,
79
86
978-3-85161-160-1
Phoibos Verlag
Wien
AUSTRIA
Sì, ma tipo non specificato
7th - 10th November 2013
Berlin
Hellenistic Pottery
Faliscans
Ring-Askos
Etruria
1
none
Ambrosini, L
273
info:eu-repo/semantics/conferenceObject
04 Contributo in convegno::04.01 Contributo in Atti di convegno
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.14243/325406
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