We report here the results of the archaeometallurgical study of the bronze equestrian statuette of Alexander the Great, which was found broken in many pieces during various phases of excavation carried out in Herculaneum around the end of 1761; it was subsequently reassembled in the Royal Foundry of Naples. This famous masterpiece, now in the National Archaeological Museum of Naples, recently underwent a thorough material characterization, which was carried out during a static consolidation treatment at the restoration laboratory of Tuscany's Archaeological Superintendency. This investigation was aimed mainly at interpreting the original execution processes and modern restorations. Although the authenticity of the artifact is supported by its formal coherence and archival information referring to the two figures (Alexander and his horse Bucephalus) and the base, analytical insights were considered of interest in order to assess the material coherence of the many fragments (about fifteen) composing the statuette. The results provide objective material evidence of the antiquity of most of the fragments and shed light on its ancient execution and modern restoration processes.

The Bronze Sculpture of Alexander the Great on Horseback: An Archaeometallurgical Study

Salvatore Siano;Juri Agresti
2017

Abstract

We report here the results of the archaeometallurgical study of the bronze equestrian statuette of Alexander the Great, which was found broken in many pieces during various phases of excavation carried out in Herculaneum around the end of 1761; it was subsequently reassembled in the Royal Foundry of Naples. This famous masterpiece, now in the National Archaeological Museum of Naples, recently underwent a thorough material characterization, which was carried out during a static consolidation treatment at the restoration laboratory of Tuscany's Archaeological Superintendency. This investigation was aimed mainly at interpreting the original execution processes and modern restorations. Although the authenticity of the artifact is supported by its formal coherence and archival information referring to the two figures (Alexander and his horse Bucephalus) and the base, analytical insights were considered of interest in order to assess the material coherence of the many fragments (about fifteen) composing the statuette. The results provide objective material evidence of the antiquity of most of the fragments and shed light on its ancient execution and modern restoration processes.
2017
Istituto di Fisica Applicata - IFAC
Inglese
Daehner, Jens ; Lapatin, Kenneth; Spinelli, Ambra
Artistry in Bronze: The Greeks and Their Legacy XIXth International Congress on Ancient Bronzes
XIXth International Congress on Ancient Bronzes
371
380
10
9781606065419
http://www.getty.edu/publications/artistryinbronze/
Sì, ma tipo non specificato
13-17/10/ 2015
Getty Center and Villa, Los Angeles CA, USA
Archeometria
Bronzi
Analisi LIPS/LIBS
4
none
Siano, Salvatore; Melillo, Luigia; Sarri, Stefano; Agresti, Juri
273
info:eu-repo/semantics/conferenceObject
04 Contributo in convegno::04.01 Contributo in Atti di convegno
   Integrated Platform for the European Research Infrastructure ON Cultural Heritage
   IPERION CH
   H2020
   654028
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.14243/334516
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