This paper, by way of the destiny of Didert's Paradox of the Actor, aims to describe the framework of the question of affective dimension in the late 19th century, investigated in its scientific, physiological, clinical and philosophical implications.
Sentire, esprimere, simulare: arte della recitazione e scienza delle passioni nel tardo Ottocento
RICCIO M
2015
Abstract
This paper, by way of the destiny of Didert's Paradox of the Actor, aims to describe the framework of the question of affective dimension in the late 19th century, investigated in its scientific, physiological, clinical and philosophical implications.File in questo prodotto:
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