The paper presents the case study of a digital complementary currency, Santacoin (SC), co-designed, implemented and deployed at a 10-day performing art festival in Italy. SC allowed participants to create a parallel economy within the blurring boundaries of the festival. As such, the case study constitutes a sort of 'serious game live', as it was enacted in the wild but real money was at stake. The intervention was conducted through a team ethnography which analysed the engagement of festival attendants, artists and staff with the system and the artistic intervention at its root. Indeed, SC was conceived as the core of a performance involving a group of local wellbeing professionals who provided their services in the public space. This was thought as a radical and experimental performative action for leading people to imagine new forms of social production and reproduction within an alternative world, a 'citadel' where finance could be thematised and sociopolitical imaginaries practiced. It was a localised experiment in community building and collective imagination around issues of inequality and social re/production. The paper provides an ethnographic account of the collaborative intervention and its main results. In doing so, it reflects on two main dimensions: the intersection of 'moneywork' and caring practices as explicitly thematised in the public space, and the role social interaction, relationships and communities play in collective imagination experimentations.

Moneywork, care, and collective imagination at an artistic festival. An ethnographic account of world-makings within and across communities

C Bassetti
2019

Abstract

The paper presents the case study of a digital complementary currency, Santacoin (SC), co-designed, implemented and deployed at a 10-day performing art festival in Italy. SC allowed participants to create a parallel economy within the blurring boundaries of the festival. As such, the case study constitutes a sort of 'serious game live', as it was enacted in the wild but real money was at stake. The intervention was conducted through a team ethnography which analysed the engagement of festival attendants, artists and staff with the system and the artistic intervention at its root. Indeed, SC was conceived as the core of a performance involving a group of local wellbeing professionals who provided their services in the public space. This was thought as a radical and experimental performative action for leading people to imagine new forms of social production and reproduction within an alternative world, a 'citadel' where finance could be thematised and sociopolitical imaginaries practiced. It was a localised experiment in community building and collective imagination around issues of inequality and social re/production. The paper provides an ethnographic account of the collaborative intervention and its main results. In doing so, it reflects on two main dimensions: the intersection of 'moneywork' and caring practices as explicitly thematised in the public space, and the role social interaction, relationships and communities play in collective imagination experimentations.
2019
money
digital currency
art festival
design
ethnography
team ethnography
action research
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.14243/378240
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