The issue addresses the relationship between cosmology and ratio, or the dialectical and structural connection which links the same definition of "world" as an uniform, homogeneous, coherent and possible system with the very logical and narrative (and then uniform, homogeneous, coherent and possible) character of our rational description of it. Otherwise, every ratio mundi - understood both in a metaphysical or in an epistemological or in a phenomenological way - amounts, really because it is a ratio, as an explication and an articulation of an object formerly preunderstood and, so to speak, invented, cum discursu, or rather into specific logic and descriptive categories. Because of this structural co-belonging of the concept of "cosmos" to his own narrative dimension, we may can reduce the history of cosmology to a long sequence of depictions, but overall of creations and re-creations of the world, that allow us to distinguish in a only partial way a physical and naturalistic discussion from a theological, a metaphysical or a linguistical-imaginative one.
Ratio Mundi. Possible Cosmologies Between Narrative and Logic
GUIDI Simone;
2014
Abstract
The issue addresses the relationship between cosmology and ratio, or the dialectical and structural connection which links the same definition of "world" as an uniform, homogeneous, coherent and possible system with the very logical and narrative (and then uniform, homogeneous, coherent and possible) character of our rational description of it. Otherwise, every ratio mundi - understood both in a metaphysical or in an epistemological or in a phenomenological way - amounts, really because it is a ratio, as an explication and an articulation of an object formerly preunderstood and, so to speak, invented, cum discursu, or rather into specific logic and descriptive categories. Because of this structural co-belonging of the concept of "cosmos" to his own narrative dimension, we may can reduce the history of cosmology to a long sequence of depictions, but overall of creations and re-creations of the world, that allow us to distinguish in a only partial way a physical and naturalistic discussion from a theological, a metaphysical or a linguistical-imaginative one.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


