In ancient Greek musical theory, harmony was seen as being endowed with a natural virtue capable of altering the rational faculties of the listeners's soul, to the extant of depriving that person of his freedom. The many ethical implications of this classical axiom featured in early modern theological debates. By exploring a series of sources which have hitherto been overlooked in historiography, this contribution seeks to provide some examples of original theoretical elaborations and pastoral strategies formulated in the course of these debates

"Se sei tu stato a udire canzoni vane, o soni". Riflessioni sull'etica musicale nella prima età moderna

Bertolini Manuel
2012

Abstract

In ancient Greek musical theory, harmony was seen as being endowed with a natural virtue capable of altering the rational faculties of the listeners's soul, to the extant of depriving that person of his freedom. The many ethical implications of this classical axiom featured in early modern theological debates. By exploring a series of sources which have hitherto been overlooked in historiography, this contribution seeks to provide some examples of original theoretical elaborations and pastoral strategies formulated in the course of these debates
2012
Etica musciale
Calvinismo
Musica ed emozioni
Filosofia del Rinascimento
File in questo prodotto:
Non ci sono file associati a questo prodotto.

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.14243/446573
Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact