As with symbols in general, numbers are regarded as admitting a plurality of meanings, according to their literary context and the different orders of reality they are embedded in. In the wake of Ficino and Pico, the corpus of teachings devoted to arithmology enjoyed a rapid growth from the sixteenth to the eighteenth centuries. The Christian Platonic explanation of arithmological data retains the three-fold pattern of ancient Pythagoreanism regarding the interpretation of number in cosmological, ethical, and theological terms. By exploring Della Porta's Taumatologia, this essay attempts to reconsider the relations between number symbolism, natural philosophy, magic and music.

Numeri e alterità. L'eco di Pitagora nella "Taumatologia" di Giovan Battista Della Porta

Bertolini Manuel
2017

Abstract

As with symbols in general, numbers are regarded as admitting a plurality of meanings, according to their literary context and the different orders of reality they are embedded in. In the wake of Ficino and Pico, the corpus of teachings devoted to arithmology enjoyed a rapid growth from the sixteenth to the eighteenth centuries. The Christian Platonic explanation of arithmological data retains the three-fold pattern of ancient Pythagoreanism regarding the interpretation of number in cosmological, ethical, and theological terms. By exploring Della Porta's Taumatologia, this essay attempts to reconsider the relations between number symbolism, natural philosophy, magic and music.
2017
Pitagorismo
Simbolismo musicale
Filosofia del Rinascimento
Giovan Battista Della Porta
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.14243/446579
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