The article offers a summary of the recent monographic study on the Ionic architecture of Hierapolis ofPhrygia (S. Bozza, Architettura ionica a Hierapolis di Frigia, Hierapolis di Frigia XIV, Istanbul, 2020),analysed in the context of the imperial architecture of Asia Minor. In the first part, the article gives a briefaccount of the main Ionic monuments of the city in a chronological order. Then, a description of thediachronic evolution of the Ionic architecture of Hierapolis is provided from the point of view of theiconographic schemes and the use of decorative patterns, with special attention to the Ionic capitals. Inthe third part, I propose some reflections on the development of local formal language and on the role ofmarble workshops; specifically, I analyse some iconographic and stylistic features of the Ionicarchitecture of Hierapolis, especially focusing on the capitals, the workmanship of the echinus and thecanalis of the volute. Lastly, in the fourth section, the article offers some remarks on the architecturallayout and the symbolic values of the monuments, emphasising that the Ionic order represented adistinctive feature of both sacred architecture and public monuments of Hierapolis throughout theimperial period, as a powerful symbol of the local identity, since it was inspired by the most ancienturban landscapes of the Microasiatic cities.
Ionic Architecture in Hierapolis of Phrygia in the Hellenistic and Imperial Periods: Architectural Models, Iconographic Schemes and Formal Language
Bozza S.
2022
Abstract
The article offers a summary of the recent monographic study on the Ionic architecture of Hierapolis ofPhrygia (S. Bozza, Architettura ionica a Hierapolis di Frigia, Hierapolis di Frigia XIV, Istanbul, 2020),analysed in the context of the imperial architecture of Asia Minor. In the first part, the article gives a briefaccount of the main Ionic monuments of the city in a chronological order. Then, a description of thediachronic evolution of the Ionic architecture of Hierapolis is provided from the point of view of theiconographic schemes and the use of decorative patterns, with special attention to the Ionic capitals. Inthe third part, I propose some reflections on the development of local formal language and on the role ofmarble workshops; specifically, I analyse some iconographic and stylistic features of the Ionicarchitecture of Hierapolis, especially focusing on the capitals, the workmanship of the echinus and thecanalis of the volute. Lastly, in the fourth section, the article offers some remarks on the architecturallayout and the symbolic values of the monuments, emphasising that the Ionic order represented adistinctive feature of both sacred architecture and public monuments of Hierapolis throughout theimperial period, as a powerful symbol of the local identity, since it was inspired by the most ancienturban landscapes of the Microasiatic cities.File | Dimensione | Formato | |
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