The present work departs from both early and recent findings on the materiality, historical context, and circulation of the manuscript as well from previous understandings of its contents, priorities, and reception. In doing so, this volume seeks to contribute to the aggregate of identities that historians have created for the Codex Mendoza, whether by simply changing the tempo and emphasis placed on the different episodes in the manuscript's reproduction and circulation history, or by establishing a range of time for the production of the manuscript based on the dual axis of the codex's historical context and inquiries into its materiality.

The Painting Materials of the Codex Mendoza

Buti D
Writing – Original Draft Preparation
;
Cartechini L;Rosi F;Romani A;Sgamellotti A;Miliani C
2022

Abstract

The present work departs from both early and recent findings on the materiality, historical context, and circulation of the manuscript as well from previous understandings of its contents, priorities, and reception. In doing so, this volume seeks to contribute to the aggregate of identities that historians have created for the Codex Mendoza, whether by simply changing the tempo and emphasis placed on the different episodes in the manuscript's reproduction and circulation history, or by establishing a range of time for the production of the manuscript based on the dual axis of the codex's historical context and inquiries into its materiality.
2022
Istituto di Scienze del Patrimonio Culturale - ISPC - Sede Secondaria Firenze
Istituto di Scienze e Tecnologie Chimiche "Giulio Natta" - SCITEC - Sede Secondaria Perugia
Codex Mendoza
Colonial Codices
Mesoamerican codices
Non invasive
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.14243/521484
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