Modern and contemporary artworks, due to technological developments in the synthesis of new pigments, are characterized by a pictorial palette composed of a wide variety of pigments. This diversity makes it increasingly important to carry out thorough characterization studies in order to gain a complete and comprehensive understanding of the properties of the numerous pigments in use today. In this work, 18 modern acrylic paints were characterized using micro-Raman spectroscopy with two laser excitation lines (532 nm and 633 nm). The analysed pigments can be classified as organic, inorganic, or mixtures, depending on their chemical composition. Specifically, the following pigments were investigated: Cobalt Blue, Permanent Blue Light, Ultramarine, Primary—Cyan Blue, Cerulean Blue, Cobalt Blue (Hue), Indanthrene Blue, Phthalo Blue, Van Dyke Brown, Permanent Green Light, Phthalo Green, Primary Red—Magenta, Cadmium Red Medium, Lemon Yellow, Cadmium Yellow Medium, Zinc White, Titanium White and Iridescent Silver. The pigments were applied to wooden and glass substrates to simulate the creative processes of actual modern and contemporary artworks. The aim was to define their composition, as this knowledge is essential for the protection, conservation and enhancement of cultural heritage.

Spectral Raman Database of Modern Acrylic Paints at 532 nm and 633 nm Laser Excitation Wavelengths

Nucera A.;Castriota M.
;
Striova J.;Fontana R.
2025

Abstract

Modern and contemporary artworks, due to technological developments in the synthesis of new pigments, are characterized by a pictorial palette composed of a wide variety of pigments. This diversity makes it increasingly important to carry out thorough characterization studies in order to gain a complete and comprehensive understanding of the properties of the numerous pigments in use today. In this work, 18 modern acrylic paints were characterized using micro-Raman spectroscopy with two laser excitation lines (532 nm and 633 nm). The analysed pigments can be classified as organic, inorganic, or mixtures, depending on their chemical composition. Specifically, the following pigments were investigated: Cobalt Blue, Permanent Blue Light, Ultramarine, Primary—Cyan Blue, Cerulean Blue, Cobalt Blue (Hue), Indanthrene Blue, Phthalo Blue, Van Dyke Brown, Permanent Green Light, Phthalo Green, Primary Red—Magenta, Cadmium Red Medium, Lemon Yellow, Cadmium Yellow Medium, Zinc White, Titanium White and Iridescent Silver. The pigments were applied to wooden and glass substrates to simulate the creative processes of actual modern and contemporary artworks. The aim was to define their composition, as this knowledge is essential for the protection, conservation and enhancement of cultural heritage.
2025
Istituto di Nanotecnologia - NANOTEC - Sede Secondaria Rende (CS)
Istituto Nazionale di Ottica - INO
acrylic pigments
cultural heritage
glass substrate
Raman spectroscopy
spectral database
wood substrate
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.14243/585921
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