Non-invasive FTIR methodologies in the field of conservation science has been subjected to great interest in recent years, particularly those based on total reflectance (TR), either in situ TR-FTIR and TR-FTIR microscopy. Portable instruments offer the advantage of in-situ investigation but there are some limitations due to both the probe head size and the investigated area width. Indeed, the probe diameter is about 5 mm with no possibility of pointing restricted areas of interest on the object. On the other hand, a FTIR microscope allows working on very small areas (down to a few hundreds of ?m2) of the surface of art objects or parts of them, if they are small enough to be placed on the microscope stage. Both the methodologies are particularly suitable to investigate thin films on metal surfaces where the reflection-absorption phenomenon of the radiation may take place: the IR beam passes through a thin layer of the sample (coating or patina of corrosion products) and is reflected from the non-absorbing metal substrate. The method is essentially a double-pass transmission experiment, and the collected spectra resemble those obtained in transmission. This contribution presents some case studies where the presence of a gold layer (amalgam or foil gilding) over bronze, silver or iron enabled the application of the non-destructive methods described above. They include a gilt element taken from a silver reliquary of the 15th century and a gilt iron panel of the 16th century, both of them placed on the FTIR microscope stage; the bronze sculpture of San Ludovico and the bronze Pulpito della Passione (both of them by Donatello). The latter ones were investigated in situ with the portable instrument. The FTIR analysis on the artefacts shown in this work were carried out as part of conservation processes including cleaning and application of protective coatings. The achievements of the analysis proved to be very useful to underpin the restorers' work. The alteration products coming from the metal under the gold layer and/or the remains of coatings laid in the past were identified and, in some cases, their distribution on the surface was mapped. That helped to make an informed choice of the best conservation process to adopt. Based on the compounds detected, some cleaning methods were selected and applied on test areas. The different procedures were evaluated monitoring their effectiveness with TR-FTIR measurements.
TR-FTIR techniques to support the conservation of metal surfaces: application to Renaissance gilded artefacts
B Salvadori
2016
Abstract
Non-invasive FTIR methodologies in the field of conservation science has been subjected to great interest in recent years, particularly those based on total reflectance (TR), either in situ TR-FTIR and TR-FTIR microscopy. Portable instruments offer the advantage of in-situ investigation but there are some limitations due to both the probe head size and the investigated area width. Indeed, the probe diameter is about 5 mm with no possibility of pointing restricted areas of interest on the object. On the other hand, a FTIR microscope allows working on very small areas (down to a few hundreds of ?m2) of the surface of art objects or parts of them, if they are small enough to be placed on the microscope stage. Both the methodologies are particularly suitable to investigate thin films on metal surfaces where the reflection-absorption phenomenon of the radiation may take place: the IR beam passes through a thin layer of the sample (coating or patina of corrosion products) and is reflected from the non-absorbing metal substrate. The method is essentially a double-pass transmission experiment, and the collected spectra resemble those obtained in transmission. This contribution presents some case studies where the presence of a gold layer (amalgam or foil gilding) over bronze, silver or iron enabled the application of the non-destructive methods described above. They include a gilt element taken from a silver reliquary of the 15th century and a gilt iron panel of the 16th century, both of them placed on the FTIR microscope stage; the bronze sculpture of San Ludovico and the bronze Pulpito della Passione (both of them by Donatello). The latter ones were investigated in situ with the portable instrument. The FTIR analysis on the artefacts shown in this work were carried out as part of conservation processes including cleaning and application of protective coatings. The achievements of the analysis proved to be very useful to underpin the restorers' work. The alteration products coming from the metal under the gold layer and/or the remains of coatings laid in the past were identified and, in some cases, their distribution on the surface was mapped. That helped to make an informed choice of the best conservation process to adopt. Based on the compounds detected, some cleaning methods were selected and applied on test areas. The different procedures were evaluated monitoring their effectiveness with TR-FTIR measurements.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
