Codex 462 of the Fondo Hortus Pisanus of the Biblioteca Universitaria of Pisa is a precious example of a 16th century illustrated herbal, Icones variarum plantarum, containing 35 tempera paintings by the German soldier Georg Dyckman, an amateur but highly talented artist. The manuscript was recently restored on the occasion of an international exhibition; the necessary preliminary studies for the restoration included a series of in situ diagnostic studies using contactless techniques (digital microscope, multispectral imaging, XRF, Raman and ER-FTIR). These analyses proved useful in deepening the knowledge of the materials and the execution technique of this type of illustrated herbals and in choosing the most appropriate solutions during the restoration phase. In view of the growing interest in this type of historical evidence, which involves both art history and the history of science, this study offers an interesting new perspective on the subject, useful both from a technical point of view for future conservation and for analytical and historical artistic studies.
The Gardener of the Grand Duke: History and Analysis of Ms. 462 Hortus Pisanus, Icones variarum plantarum
Nodari, Luca;Lorenzetti, Giulia;Palleschi, Vincenzo;Legnaioli, Stefano;Tomasin, Patrizia
2025
Abstract
Codex 462 of the Fondo Hortus Pisanus of the Biblioteca Universitaria of Pisa is a precious example of a 16th century illustrated herbal, Icones variarum plantarum, containing 35 tempera paintings by the German soldier Georg Dyckman, an amateur but highly talented artist. The manuscript was recently restored on the occasion of an international exhibition; the necessary preliminary studies for the restoration included a series of in situ diagnostic studies using contactless techniques (digital microscope, multispectral imaging, XRF, Raman and ER-FTIR). These analyses proved useful in deepening the knowledge of the materials and the execution technique of this type of illustrated herbals and in choosing the most appropriate solutions during the restoration phase. In view of the growing interest in this type of historical evidence, which involves both art history and the history of science, this study offers an interesting new perspective on the subject, useful both from a technical point of view for future conservation and for analytical and historical artistic studies.| File | Dimensione | Formato | |
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Appl. Sci. 2025, 15, 10626.pdf
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